Tuesday, June 6, 2006

06.06.2006 PLANS CHANGE, STUFF HAPPENS

Few things bother me more than projects that go unfinished. I understand that sometime things come up, plans change and stuff happens. So we adapt and work through the changes. My project with COLDSHOT has presented some of these types of challenges and I've really tried to roll with the punches. Hopefully, despite some major set-backs we'll still be able to complete the project at some point in the future even though the band has re-located to Florida. Until then all I can do is reflect on the hurtles we faced and how to avoid them in future projects.

With the basic tracking done we set out to begin recording vocals at the bands rehearsal space in the basement below The Chance Theater in Poughkeepsie. As usual I brought my Mbox/iBook rig and a choice of mics. Someone brought coffee and doughnuts and I neglected to advise the band's two singers to avoid the milk. Once we got the gear set up I asked which song they wanted to start with.We began with the only song for which they had actually nailed down their final parts for. The opening lines of the song was a screaming part. Nailing the scream part proved next to impossible with the milk-coated throats. So we moved on to other parts of the song, but with voices already strained we were compromising every step of the way. Then by mid afternoon we began hearing noise from upstairs. As it turns out there was an all ages matinee of bands beginning at 4:00 upstairs at The Chance so we had to call it quits.

The following week my Apple iBook called it quits.

The next vocal session we scheduled to have at one of the singers' home. Lacking the funds to purchase a new laptop I opted to bring my older Mac G3 "Blue & White" desktop computer to the session. A much slower machine than my iBook had been but certainly able to get the job of vocal overdubs done, although somewhat cumbersome to move. We avoided dairy products and got some good vocal takes that day from one of the band's singers. The new location seemed to be working out so we scheduled the next session to be held there as well. That following vocal session was attended by the entire band including both vocalists. The dynamic between these two very different style of singers is one of the qualities which makes COLDSHOT unique but that quality does come at a price it seemed, because there was considerable discussion and sometimes disagreement between them over each other's parts. Adding to that the presence of everyone else offering their opinion created a situation where there was a lot more talking than singing going on. Then when the girlfriend of the singer who's house we were in came home from work to find a house full of people the session was over.

The next session at the singer's house went really well for the first half of the day and we got most of the first singers parts done. After waiting a couple of hours for the second singer to arrive we finally heard from him and he was still hours away so we called it a day.

Now all throughout this project we were working under the specter of the bands impending re-location to Florida. The move date was pushed back several times but finally they all moved down there with the project unfinished. The plan is for each of them to get settled in to their new lives in Florida, then pick up where we left off. This could mean air travel for me, or them, or sending DVD back-up files down for them to complete the project on their own or with someone else. In the meanwhile here are some tips to avoid some of these problems in the future:

1) No Dunkin Donuts light & sweet coffee before vocal sessions.

2) Don't let the singer warm up with a scream.

3) The Chance Theatre is a good place to see a band, not a good place for a vocal session.

4) Technology is a tool which can never, never, never be trusted.

5) It's always easier to record singers who's words have been written down and agreed upon in advance.

6) A 1,400 mile long microphone cable is impractical.

Sunday, April 9, 2006

04.09.2006 COLDSHOT BASIC TRACKING AT LEOPARD

After taking some time off from studio work these past couple of months I'm back at Leopard with COLDSHOT. With a large local following here in the Mid Hudson valley COLDSHOT is laying down six of their most popular tracks. We spent 2 days this past weekend tracking drums, bass and guitars for 5 heavy numbers one acoustic ballad. It's a lot to acomplish in just 2 days but we did it. I was too busy recording to shoot any pics so here's a promo picture I lifted from their website. More to come as the project progresses.

Wednesday, April 5, 2006

04.05.2006 ORSUS MASTERING COMPLETED!

Just got back the final reference CD from Precision Mastering in LA. Tom Baker did a fantastic job and gave the ORSUS project a real sonic ass-kicking. With artwork almost ready, pressing will soon be under way. watch their site and (myspace page) for release and release party dates!

Sunday, December 18, 2005

12.18.2005 LIVE BARN RECORDINGS CONTINUE

The IGF Entertainment Barn Music Series recordings have continued through the fall season with performances by Lauren Hoffman, Nell Bryden and Robin O'Herin. I have continued doing these recordings with a stereo pair of Shure SM81s, mounted in an X-Y pattern just below the "hay loft". Though the results of this placement yield a pleasing "recorded live" ambience, I am exploring options for alternate mic placements. I'd like to get the microphones closer to the performance without being obtrusive to the artist and audience. Plans are underway to rig a mounting system, which will be suspended from the vaulted ceiling. Pictured here is Lauren Hoffman, as seen from just above where the mics were placed.

Monday, October 24, 2005

10.24.2005 CHAOS AT THE BARN

This weekend past I recorded CHAOS at The Barn in Cold Spring, NY. CHAOS a brilliantly brutal four-piece metal band, tracked two original songs, “Betrayed” and “Lost” and also recorded their own version of the classic Black Sabbath tune “Sweet Leaf”. In the day and a half we had to work with at The Barn we completed all the basic tracking, overdubbed solos and we also squeezed in a quick photo shoot at The Stone House on Dennytown Road.


To do the job of multi-tracking I brought my “semi-portable” ProTools rig; Mac G3 “blue & white” Digidesign 001 interface, Behringer ADA8000 “Ultra-gain” 8-Channel Digital Mic Preamp (that I borrowed from Alto Music…thanks Alto!) and my RP-220 Tube Mic Preamp. This gave me a total of 12 channels of microphone inputs to ProTools at once. Made a make-shift control room in the hayloft upstairs, monitoring mostly through headphones, though I also brought my pair of Yamaha NS-10s and a small Crown amp.


The band set up everything in The Barn's main room and tracked all their rhythm parts live. I used just 5 mics on the drum kit: two Sennheiser 421s on the kick drums, a Shure SM57 on the snare, and a pair of Shure BG-4.1s as overheads. On the bass amp I used an AKG D-112 through the Tube Pre and also ran a DI. Each of the two guitar amps got a single SM57. Singer Chris Chaos also had an SM57 for scratch vocals. In addition I used two room mics: a pair of vintage AKG D-12s. A trimmed-down set-up for sure but it got the whole band’s live basic tracking down with just 12 channels.

Saturday, October 8, 2005

10.08.05 MIX MAGAZINE REMEMBERS MEDIASOUND

In the October 2005 issue of MIX MAGAZINE photographer and writer Bobby Bank pays tribute to MEDIASOUND, the world class New York recording studio of the 70’s and 80’s and the training-ground where I learned from some of the top names in the recording industry. You can download a pdf file of the article HERE. Pictured left is the live room of studio A, and founders Joe Jorgensen and Harry Hirsch with chief engineer Fred Christie. Photo by Howard Sherman.

Saturday, October 1, 2005

10.01.05 ORSUS FINAL MIX AT LEOPARD

Spent a couple of weekends in September doing the final mix tweaks for the upcoming ORSUS full-length debut release "The Pulse of Shadows and Machines". Our last night of mix tweakage ended with me burning last minute CDRs in the car on my laptop as I drove Orsus members Tommy and Gary from Stone Ridge to New Paltz to catch the last midnight bus back to NYC. With the final assembly completed we will soon be toasting a fantastic album. First it's off to mastering, which will no doubt add that critical finishing touch. I've contacted several of my top-choice mastering houses for rates and availability. No point in skimping now! As soon as pressing is under way we'll announce the final release date, and of course the CD release party!